Alumnus Krishna Thiagarajan named chief executive of Royal Scottish National Orchestra

Krishna-Thiagarajan-600x321Jacobs alumnus Krishna Thiagarajan has been named chief executive of the Royal Scottish National Orchestra (RSNO).

Thiagarajan earned both his B.M. in Piano Performance and his M.M. in Piano Performance from the Jacobs School of Music, studying with Leonard Hokanson. In addition, he taught as an associate instructor of piano at the school.

Read the RSNO release.

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Emile Naoumoff attends the UK premiere of his Sacred Concerto for Piano and Choir

Emile Naoumoff travelled to England last week to attend the UK premiere of his Sacred Concerto for Piano and Choir, presented at the Bury St. Edmunds Cathedral by the  Colchester Chamber Choir. The performance was conducted by Roderick Earle who was the initiator of the concert. Naoumoff’s former student Yau Cheng undertook the challenging piano solo part.

Watch a video of the moving performance below!

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Emile Naoumoff & Yau Cheng release new album

Gouvy: Sonatas for Piano Four Hands

Emile Naoumoff & Yau Cheng


emile naoumoffFeaturing pianists Emile Naoumoff and Yau Chang, this Grand Piano release showcases three Sonatas for piano four hands by the prolific composer and eminent member of Frances musical establishment in the later 19th c., Louis Theodore Gouvy (1819-98).  These works, all written in the 1860s, reveal considerable technical command as well as flowing elegance, some of it reminiscent of Schubert and Schumann.  Gouvys considerable uvre, including a large body of four-hand piano music, has been undergoing critical reconsideration and something of a revival on record in recent years.






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Jacobs professor inducted into Hall of Fame

By Alison Graham & Audrey Perkins


Jacobs School of Music professor and pianist Andre Watts has been inducted into the American Classical Music Hall of Fame.

Located in Cincinnati, the American Classical Music Hall of Fame was founded in 1996, according to its website. The organization “seeks to build and sustain enthusiasm for classical music in America by celebrating diverse facets of classical music excellence.”

Past inductees include Gustav Mahler, Antonin Dvorak, George Gershwin and Yo-Yo Ma.

Andre Watts

Andre Watts

Watts has played before royalty in Europe and heads of government in nations all around the world, according to the organization’s website. Watts received a 2011 National Medal of Arts, given by the President of the United States to “individuals who are deserving of special recognition for their outstanding contributions to the excellent growth, support and availability of the arts in the United States.”

Watts first entered the music world at 16, according to the organization’s website, when Leonard Bernstein chose him to make his debut with the New York Philharmonic in its Young People’s Concerts.

The concert was broadcast nationwide on CBS-TV. Two weeks later, Bernstein asked Watts to substitute for Glenn Gould at the last minute in performances of Liszt’s E-flat Concerto with the New York Philharmonic. This moment, according to the American classical Music Hall of Fame, was when Watt’s career launched in storybook fashion.

Watts joined the music school in 2004 as a faculty member, according to the school’s website.

Watts is an active musician and continues to give numerous performances around the world. He makes regular visits to major summer music festivals, including Ravinia, Tanglewood, Saratoga, the Mann Music Center, Mostly Mozart and the Hollywood Bowl.

The pianist joins fellow professor and pianist Menahem Pressler, who was inducted into the American Classical Music Hall of Fame on Sept. 9.

Watts received his honor during his concert Oct. 24 at the Cincinnati College-Conservatory of Music, according to the Jacobs School of Music.

“What a pleasure to accept something given to my trio, which I still dearly, dearly love,” Pressler said in a press release. “And knowing that André also received it makes the award even sweeter and more 
important to me.”

Watts was also awarded the MacDowell Medal at the Oct. 24 concert from the Cincinnati MacDowell 

The Cincinnati MacDowell Society is the oldest group honoring American composer Edward MacDowell, who composed during the Romantic Period and died in 1908.


© Indiana Daily Student 2014



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Menahem Pressler on the Adventure of Practicing

by Monique Mead


It was during a performance of the legendary pianist Menahem Pressler that I stopped wondering how it would feel to be in the presence of God.

menham presslerNo, it was not the pianist’s imposing stature or powerful performance that invoked images of divine grandeur — quite the opposite, in fact. I was witnessing the diminutive figure of a 90-year-old whose artistry transcended the parameters of music: notes, phrasing, and technique dissolved into a realm of subtle magnificence, connecting me with the very essence of music.

The baggage of my musical life fell away and I was reawakened to the powerful emotional imprint of my earliest musical experiences and my consuming passion for learning the violin. Once again I connected with why I had wanted to become a musician.

Having heard thousands of concerts in my lifetime, the significance of this experience was not lost on me, and I could not let him leave without finding out the source of his magic. Where was he coming from? What was he connecting with that I was not?

Fortunately, Mr. Pressler was gracious enough not only to speak to me privately, but also to share his “secrets” in a taped on-stage interview. I publish it here (linked below) with his blessing, in hopes that others will also be inspired by the extraordinary spirit of this great musician. After speaking with him, I came across a quote that encapsulates him perfectly: “In a gentle way, you can shake the world.”  –Mahatma Gandhi.


On making a career in music (Listen to the quote: 2:10)

“You don’t have to be a concertizing artist…you can sit in a small town and teach and find not only satisfaction in teaching, but feeling that when you transmit music to someone else and reach their lives you have really done something in your life. Therefore, your life is important because you bring so much.”

On teaching amateurs (Listen to the quote: 4:19)

“Amateurs – the word come from “amare,” from loving – that means they love music. I wish that all the professionals would love music….It is real, it can touch you, it can move you. It can inspire. Life is out there, there is a great deal missing….But the truth is, the real greatness in living is being able to feel, when you are able to feel you feel friendship, you feel love, you feel connection.”

On practicing (Listen to the quote: 6:33)

“Practicing I think is a wonderful thing. I must admit I belong to the very few who love to practice….really practicing is an adventure. Really practicing means to find out. Practicing is what to a scientist is research, to what a writer is research. Or to an architect is looking at other buildings and coming to his own conclusions. Practicing is not drudgery. It is difficult sometimes – especially if you’re married, if you teach. You find the time. Yes, you have to find the time. Yes, you have to somehow sacrifice in finding it. Practicing is very solitary, you are not a social person at that point. You are there, devoting yourself to be able to find the answers for yourself….”

Where does Menahem Pressler go for inspiration?

Pressler’s response was not what I was expecting! Listen to his quote at 6:00….

Follow the link to listen to the full interview!

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Two Pianists appear on Silvemine Artists Series

Matt & MeeyounMatthew Gianforte (MM ’02, DM ’09) and Meeyoun Park,(who holds her Master’s of Music degree, Performer’s Diploma, and Doctoral degree in piano performance under the guidance of Karen Shaw at Indiana University Jacobs School of Music)both graduates of the Jacobs School of Music, and students of Karen Shaw, appeared in a program on Oct 26th of both solo and duo-piano repertoire.

Both young artists serve on the piano department of Murray State U., in Kentucky.

The Silvermine Series is directed by Karen Shaw, and located in Norwalk, CT. Ms. Shaw often engages Jacobs School of Music alumni to perform there.

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The Jacobs School mourns the passing of alumnus Thomas Mastroianni

thomas-mastrioanni-450It is with sadness that the Jacobs School of Music shares the news of the death of pianist Thomas Mastroianni, September 19, 2014.

Thomas earned his BS and MS from Juilliard and after military service, he earned his Doctorate in Piano Performance (’70) from Indiana University where he worked with Bela Nagy and Sidney Foster.

He served as dean of the Benjamin T. Rome School of Music from 1972 to 1981 and as a faculty member in Piano from 1972 and as head of Piano Studies from 1981 until his retirement in 2000. From 2000, he continued teaching piano students on a part-time basis.  Mastroianni was an internationally respected pianist, having performed extensively throughout the United States (including many performances at Carnegie Hall), Europe, Mexico, South America, and Asia.  He was an authority and champion of the music and other writings of the 19th-c. composer Franz Liszt, whose works Mastroianni performed throughout his career.  He was the longstanding president of the American Liszt Society and planned several conferences on Liszt’s music as well as being frequently invited to give lectures on Liszt in the U.S. and Europe.  He was a 1992 recipient of the Medal of The
Hungarian Liszt Society and had recently returned to Hungary with various presentations on the composer.
research that could help musicians; he published numerous articles on wellness, anxiety, and memory related to musical performance.

A native of Pittsburgh, Mastroianni had served in the Army in the 1950s, with time spent teaching at the Army Band School.  He maintained active connections between the Armed Services musicians and CUA during his time as dean.  Mastroianni also helped forge important connections with the Organization of American States that made CUA one of the leading U.S. universities for the study of Latin American culture. He began performing many works by Latin American composers and eventually taught classes on Latin American music at CUA, a rare emphasis for a concert pianist of his generation.

His passionate work on behalf of CUA became widely known.   He spoke eloquently about the wealth of talent and great faculty he found in the School of Music and stated it was his job to educate the world about this “diamond” at CUA.

Throughout his career, Mastroianni was respected as an incredibly generous, kind man and he will be mourned not only by his University community but also by his large network of former students, many of whom are respected performers and teachers, colleagues and friends here and around the world.   He was also a passionate gourmet cook and shared many a wonderful dinner with students and colleagues.  On the Sunday before his death, Mastroianni gave an acclaimed performance at the Hartke Theatre of music by Liszt.  Before this event, Mastroianni had stated that what sustained him as he aged was the love of his family and his friends and students at The Catholic University of America.  He is survived by his wife, Mary Ann, three children, and several grandchildren.


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Jacobs alumna Jasmin Arakawa (DM ’13) tenure-track appointment at the University of South Alabama





Jasmin Arakawa (DM ’13, MM ’07) has recently been appointed Assistant Professor of Music (Piano) at the University of South Alabama in Mobile. She studied with Prof. Emile Naoumoff (piano) and Prof. Elisabeth Wright(harpsichord) at Jacobs School of Music.

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Music Review: Read Gainsford

Pianist gives full measure

By Peter Jacobi


“Too many notes.” That’s what a friend whispered to me as pianist Read Gainsford wound up his Thursday evening recital in Auer Hall with the nine Etudes-tableaux, Opus 39, of Sergei Rachmaninoff.

That surely didn’t mean there were too many notes for the remarkably deft Gainsford to handle but perhaps too many for a listener’s ears and mind to take in with comfort. One says that because the music stuns for what it technically requires but, unlike the etudes of Rachmaninoff’s predecessors, Chopin and Liszt, doesn’t seem to stick to the ribs of memory. The etudes may be likened to tonal gymnastics, amazing to hear unfold because of their level of difficulty. Gainsford proved himself without question as a major keyboard manipulator, through his feat telling the composer that he not only dared match the legendary virtuoso chord for chord and rhythmic surge for rhythmic surge but most probably managed to do so.

For the youngsters in the IU Piano Academy to hear such prodigious pianism from one of their teachers is undoubtedly a memorable experience.  Gainsford gave them an exhibition.  What’s more, prior to the etudes, he gave them, and the rest of us in the audience some delightful Haydn, the playful and also technically challenging Fantasia in C, and some profound Schubert, his final piano sonata, the B-Flat Major, D. 960, laden in the early movements with tender beauties and in the later with sparkle and joy.   To these, also, Gainsford gave full measure, easily mastering the mechanics and then generously imbuing the music with his interpretive refinements.


© Herald Times 2014

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Piano competition names two winners

The waiting room of the Jacobs School of Music’s Ford-Crawford Hall was filled with hushed tones and small clusters of young pianists being congratulated by their families.

Marc Levesque plays his piece for judges during the Jacobs School of Music Auer Summer Concerto Competition in Ford-Crawford Hall. Eleven pianists competed for a chance to play alongside the IU Student Summer Orchestra under the direction of Arthur Fagen. IU junior Xiting Yang and 16-year-old Ansen Hui both won.

Marc Levesque plays his piece for judges during the Jacobs School of Music Auer Summer Concerto Competition in Ford-Crawford Hall. Eleven pianists competed for a chance to play alongside the IU Student Summer Orchestra under the direction of Arthur Fagen. IU junior Xiting Yang and 16-year-old Ansen Hui both won.

The large room contained emerald green carpet and a tall ceiling decorated by a single crystal chandelier, but the conversation centered on a single thought — the winner of the 2014 Edward Auer Summer Concerto Competition.

Eleven pianists participated in the final round.

The first round started at 3:30 p.m. Tuesday and the final round took place at 5:30 p.m.

By 7:10 p.m., the decision was made. The participants and their families re-entered Ford-Crawford Hall for the results.

“Is everybody here?” workshop and concerto competition director Edward Auer asked. “We have our winners. We don’t have first, second or third place, but instead we have two winners. They are Xiting Yang and Ansen Hui.”

The crowd broke out into applause and congratulated the competition’s winners.
Joy Xu, an assistant with the Edward Auer Summer Workshop, spoke of the diversity, experience and talent each of the performers had.

“I think it went very well,” Xu said about the final round performance. “The participants come from all over the world. Some are from Canada, Ecuador and Korea.”

The Edward Auer Summer Workshop is an annual summer program for the Jacobs School.

The competition included an audition process, in which 30 applicants sent in a 15-minute recording of any repertoire, piano workshops and a final competition.

“Our workshop started about 15 years ago, and it started as a Chopin class,” workshop coordinator Junghwa Moon Auer said.

“It started off very small. In 2007, we offered special topics — Beethoven sonatas or Chopin nocturnes. This year, our highlight is concerto competitions.”

Auer said the workshop and competition is a project dear to her heart, but it requires expenses in order to hire the student summer orchestra for the event.

“It’s worth it,” Auer said. “A lot of young pianists don’t have many chances to play with an orchestra.”

The winner will play at 8 p.m. tonight in Auer Hall with the IU Student Summer Orchestra under the direction of conductor Arthur Fagen.

However, the prize isn’t at the heart of this competition — practice and dedication is, Auer said.

“We don’t believe in competitions, but once we have a competition and a winner’s recital, the participants play better,” Auer said.

“This lets them find their best and to work their best. I want the participants to have some motivation in coming here. Instead of just coming here to mingle, I want them to have a goal.”

The participants’ talent impressed Nicholas Roth, a professor of piano at Drake University in Des Moines, Iowa, and one of the judges of the competition, he said.
Roth was also one of Edward Auer’s previous students.

He described the performances as high level and beautifully played.

Junghwa Moon Auer said she is connected to both winners as a teacher, artist and someone who appreciates their talent.

Ansen Hui, 16, studied privately with Edward Auer for the past four years and played with the Indianapolis Symphony the previous summer.

“His music is not only beautiful, but his life story is triumphant and inspiring,” Jungwha Moon Auer said. “When we visited Ansel’s home once, Edward’s CDs were all over his practice room.

“We were, of course, very pleased, but it means that when he loves something, he loves until the end. He doesn’t love it for better usage or for him, that’s it. He just loves it. He’s got that pure passion.”

Auer said the Edward Auer Concerto Workshop and Competition aims to show the students that beauty is the most important thing.

“Our motto is all about letting students have chances,” Auer said. “We try to let them know, though we can’t always, that beauty is our goal.

“In competitions, hard work is necessary, but perfection is not our goal. When your try to make things perfect, you immediately get fearful because you don’t want to make a mistake. But you have to get past that and be free.”

Auer’s relationship with the 20-year-old IU junior Xiting Yang is one of mentorship and encouragement.

“You can’t try to make things perfect on stage. You have to be out of it,” Auer said to Yang before the night of the performance.

She drew from her husband’s advice and asked Yang to take the passion from the piece she played so the raw emotion could reach the audience.

“I told Xiting, ‘I really want you to be Mozart,’” Auer said. “‘Be there for us. It’s too late for you to be perfect. The only thing we can hear is how much you love and how much you feel.’”

Each year, new performers share their gifts of talent and artistry with Auer and her husband.

Auer gave parting advice to the applicants and encouraged those who will compete next year.

“The stage is a fearful place. Every second seems eternal,” Auer said. “All performers can do is find beauty, find what we care for in our hearts and find life there.

“It is a very awkward thing to feel in front of people, but because they practice so much, they allow themselves to become vulnerable. I think the contestants who won were very successful in that way.”


© Indiana Daily Student 2014

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