Student Liza Wallace produces CD and concert by the ‘Present Time Ensemble’

front-cover-300Jacobs School student Liza Wallace founded the Present Time Ensemble three years ago with clarinetist Liz Gorman. Fast-forward to this month and she will celebrate the release of her CD “Waken” April 19 at 8pm at the Ivy-Tech John Waldron Arts Center in downtown Bloomington.

The concert will feature the music from the CD which consists of Liza’s original compositions and arrangements. Her work draws from Venezuelan, Brazilian, and Cuban styles as well as North American Jazz and Folk music.

A native of Berkeley California, Liza has studied harp with Susann McDonald and will graduate in May. The concert culminates her time here in Bloomington. She will be joined by Gorman, percussionist Bruno Cabrera, violinist Daniel Stein, cellist Guilherme Monegato, bassist Jon Nadel, and special guest pianist (and brother) Eli Wallace. Come out for a wonderful night of music and dance!

The concert is free and will include a one-time only discounted price for the CD.  More info at lizawallace.com.

 

The USA International Harp Competition presents Naoko Yoshino, March 30 in Auer Hall

Naoko-220The USA International Harp Competition will be presenting their first Annual Concert Series featuring internationally renowned harpist, Naoko Yoshino. It will take place on March 30th at 2pm in IU JSoM’s Auer Hall (free admission).

Being one of the most outstanding harpists in the international platform today, Ms. Yoshino’s solo engagements with the world’s top orchestras have included the Berlin Philharmonic Orchestra, Israel Philharmonic, Leipzig Gewandhaus Orchestra, Philharmonia Orchestra, and The Philadelphia Orchestra among others.

Born in London, Naoko Yoshino began to study harp at the age of six in Los Angeles, California, with the eminent Susann McDonald, current Distinguished Professor of Music at Indiana University.  She started her worldwide career in 1985, after winning first prize at the Ninth International Harp Contest in Israel.

On March 30 Ms. Yoshino will perform numerous works including pieces by J.S. Bach, Claude Debussy, and Johannes Brahms.

**The USA International Harp Competition gratefully acknowledges the support of the Indiana University Jacobs School of Music, The Indiana Arts Commission, The National Endowment for the Arts, Ivy Tech Bloomington, The Community Foundation of Bloomington and Monroe County and the Bloomington Arts Commission.**

 

 

 

Link:                      http://www.usaihc.org/

2012 Solo Harp Composition Contest winner announced

After reviewing 81 compositions for solo harp, submitted by composers from 24 different countries, USA International Harp Competition, Inc. announces the 2012 Solo Harp Composition Contest winner.

In first place is “De l’obscurité II” composed by Benjamin Attahir (Toulouse, France).

Currently under commission by the Lucerne Festival, Attahir studied composition, conducting, and violin at the Paris Conservatoire. He has won many composition prizes, including the Concours Général, SACEM, and the International Rostrum of Composers UNESCO.

Attahir’s first-place prize includes a $2,000 award funded by a grant from the American Harp Society, and publication of his composition by Lyon & Healy Publications. “De l’obscurité II” will be required repertoire in Stage 3 of the 9th USA International Harp Competition, which will take place at the Jacobs School of Music July 10-20, 2013.

The jury wishes to acknowledge and congratulate the following composers, whose works were also in the final round:

  • What is Danced…(and what is not) by Eric Chasalow (USA)
  • Storm’s Morrow by Amit Gilutz (Israel)
  • Chants by Viktor Hartobanu (Germany)
  • Indiana by Andres Izmaylov (Russian Federation)
  • Shindychew Dances by Stephen Taylor (USA)
  • The Curl-up by Alan Thomas (United Kingdom)

The international jury for the Composition Contest consisted of Jacobs faculty composer  Claude Baker (USA) and the following distinguished harpists: Deborah Fleisher (USA), Alice Giles (Australia), Katerina Gima (Greece), Ruth Inglefield – Jury Chair (USA), Bridget Kibbey (USA), and Naoko Yoshino (Japan).

The USA International Harp Competition gratefully acknowledges itsgenerous sponsors: the American Harp Society, the Indiana University Jacobs School of Music, and Lyon & Healy Harps.

 

Alexandra Mullins and Natalie Salzman win Jacobs School harp concerto competition

Congratulations to Alexandra Mullins and Natalie Salzman, who are co-winners of the Jacobs School of Music’s recent harp concerto competition and will perform Rodrigo’s “Concierto de Aranjuez for Harp and Orchestra” with the Concert Orchestra this Saturday, Jan. 19, with Arthur Fagen conducting.

Salzman will play the concerto before the intermission, and Mullins will play it afterward.

From Matthews, N.C., freshman Alexandra Mullins is pursuing a bachelor of music degree in harp as a student of Distinguished Professor of Harp Susann McDonald. A graduate of Covenant Day School, she played the third movement of the Ginastera Harp Concerto with the Charlotte Symphony Orchestra in March as grand prize winner of its Young Artist Competition. In February 2012, she performed at Lyon and Healy Hall in Chicago, Ill., as one of the winners of the 2011 Lyon and Healy Awards. Mullins was featured in an article in Harp Column Magazine after winning the 2011 American Harp Society Advanced Division Competition, in addition to being awarded the prize for best performance of Grandjany’s “Rhapsodie.”

Natalie Salzman is a senior pursuing a Bachelor of Music in Harp at Indiana University under the guidance of Distinguished Professor of Harp Susann McDonald. Originally from Boston, Mass. Salzman began her studies in harp at age seven with Juli Miller and later, Ann-Hobson Pilot, former principal harpist of the Boston Symphony Orchestra. At age 16, she moved with her family to Israel, where she attended the Jerusalem Academy of Music and Dance in lieu of her senior year of high school and studied with Irena Kaganofsky, former principal harpist of the Jerusalem Symphony Orchestra. Salzman was a finalist at the 2010 American Harp Society Anne Adams Awards. For the past three summers, she has studied at music festivals in France with Marie-Pierre Langlamet, principal harpist of the Berlin Philharmonic; Germaine Lorenzini, former principal harpist of the Orchestre National of Lyon; and Isabelle Moretti, professor of harp at the Conservatoire National Supérieur de Musique in Paris. Also interested in non-classical harp, Salzman spent three weeks in Switzerland studying one-on-one with renowned jazz harpist Park Stickney. She is part of the Huttons Honor College and is a Founder’s Scholar, receiving a minor in French.

Harpist Liza Wallace to Perform in Chile

Harpist, singer, and composer Liza Wallace will travel to Concepcion, Chile this month to perform in the Arpas Al Sur De Chile, an international harp festival in which she has been asked to represent the music of North America.  The festival will take place during January 24th-26th and Wallace will play in the daily evening concerts.  Funded by the IU Hutton Honors College and the United States Embassy at Santiago, Chile, Liza is honored to not only represent the United States but Indiana University as well.

Wallace is a senior studying Harp Performance and Jazz Studies at the IU Jacobs School of Music. As a composer and arranger, Liza draws from World, Jazz, Folk, and Classical styles. Specifically, her music is largely inspired by the rhythmically passionate music of Venezuela and the intricately melodic music of the Balkans in combination with western Jazz and Classical harmonic sensibilities. At this festival, she will perform her arrangements of classical American Jazz standards such as “S’Wonderful” by George Gershwin, and well-known American folk songs such as “Both Sides Now” by Joni Mitchell. She will also play many of her compositions for both solo harp and harp and voice.  Liza’s music can be found on her website (lizawallace.com), itunes, CDBaby, and youtube.

Harpist Liza Wallace to perform at Festival de Arpas Al Sur de Chile

Harpist and singer Liza Wallace will travel to Concepcion, Chile, this month to perform in the Arpas Al Sur De Chile, an annual international harp festival. The festival will take place January 23-26. Her trip is funded by the IU Hutton Honors College and the United States Embassy at Santiago, Chile. She is a senior studying harp performance and jazz studies.

As a composer and arranger, Wallace draws from world, jazz, folk, and classical styles. At this festival, she will perform her arrangements of classical American jazz standards such as S’Wonderful by George Gershwin and well-known American folk songs such as Both Sides Now by Joni Mitchell.

Her music can be found on her website, iTunes, CDBaby, and YouTube.

Susann McDonald promotes book in Asia, holds master classes and receives honorary professorship at China Conservatory

Enjoy a travelogue by Distinguished Professor Susann McDonald, as she documents a recent trip to China, Japan, and Republic of China (Taiwan).

Her activities included a book tour, multiple master classes, alumni gatherings, and participation in the announcement of Hong Kong as the location for the 2017 World Harp Congress. During the tour, McDonald received an honorary professorship at the China Conservatory in Beijing.

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I spent most of June teaching master classes and lecturing in six cities in Asia. The impetus of the trip was to introduce the translations of a new harp method (co-authored with Linda Rollo, board member of the USA International Harp Competition and Vice-President of the World Harp Congress, who accompanied me.)

We began in Beijing, where we performed and taught in the beautiful new National Concert Hall. Jacobs School alumna, Liya Huang, who is the harpist with the National Symphony Orchestra of Beijing, translated our lectures. I also taught at the China Conservatory, where I received an honorary professorship.

I then went to Shanghai, a major new harp center, and taught lessons and master classes. The president of Lyon-Healy harps, Antonio Forero and his wife, Jacobs School alumna Luisa Rayan (past silver medalist at the USA International Harp Competition,) accompanied me there. Lyon-Healy also recently built a harp factory there.

The next stop was Seoul, Korea, where we were welcomed by Jung Kwak, another IU harp alumna, who had arranged for another set of lessons and master classes.

Next it was to Tokyo where my long-time former student and international concert and recording artist, Naoko Yoshino translated for us while we taught a public master class before to a large audience. Miss Yoshino and her mother had prepared the Japanese translation of the book as well. We signed autographs for 2 hours and sold all the methods! The president of the IU Japanese Alumni Association came and brought an IU banner and took pictures of the alums – all former students and harpists.

From Tokyo we flew to Taipei where a group of five IU harp alums had organized a welcome concert for us. They performed in ensemble and Dr. FanFen, an alum and now IU harp faculty member, performed as well. Other alumni at the gathering were Hsieh Shuen, harpist with the National Orchestra of Taiwan, and Meng-lu Chen, president of the Taiwanese Harp Society. We both taught masterclasses and lessons every day everywhere for six hours or more.

Our last stop was in HongKong. There, we were welcomed by DanYu, gold medallist of the USA International Harp Competition (IHC), who lives there now and has developed an excellent career of touring, teaching, performing. She will be on the jury of the USA IHC this next summer. A harp store there, called Harp Chamber, provide practice harps and teachers to over 100 young harpists. There are programs in many secondary schools, with a large numbers of harpists.

Everywhere we went there were posters of us, and of course autograph signing. Truly, we were treated like harpist “rock stars!”  I played on television with DanYu and two of her students, and media coverage was enormous, always with banks of cameras. While there, I was invited to announce there the choice of HongKong as the location for the 2017 World Harp Congress for the 2017.  It was quite an occasion, with banners, ribbon cutting, and a gathering of many of the music professors in Hong Kong. On the final night, a banquet was given in our honor at the Grand Hyatt, the ancient Chinese harp, Konghou, was featured with beautiful performances, and I was officially made Honorary Chairman of the International Konghou Society.

Enjoy additional photos from the trip:

From left to right: Linda Wood Rollo, Mai Fukui, Midori Kataoke, Mieko Inoue, Aya Matsumoto, Seated: Naoko Yoshino, Kanako Yagi

With IU Alumni in Tokyo!

Taiwanese professional harpists and IU alums at formal dinner hosted by Hsin-yi's parents in their home high above Taipei: at left below portrait, Meng-lu Chen, Dr. FanFanTai, Hsieh Shuen, Mrs. Rollo, SmcDonald, Mrs. and Mr. Chen, daughter, Hsin-yi Chen, and husband and cousin

 

 

 

 

 

 

 

Harpist Natalie Salzman and percussionist Evan Chapman in YouTube hit

Both seniors in fall 2012, Natalie Salzman, harp, and Even Chapman, percussion, recently posted a video on YouTube covering the No. 1 Billboard single “Somebody That I Used to Know” by Gotye. Within 24 hours of posting the video, it had received 1,400 views. Most excitingly, the singer himself tweeted the video and sent Salzman and Chapman a personal e-mail saying how much he liked their arrangement for harp and percussion, and the video (among the hundreds of its covers on YouTube).

Review: Harpists Perform at Holiday Concert

New show fit to become annual holiday tradition

By Peter Jacobi H-T Reviewer | pjacobi@heraldt.com
December 8, 2011

click for original article

Against a starry/snowy backdrop left from the recently closed “Nutcracker” production and with a row of 26 poinsettia plants hugging the apron of IU’s Musical Arts Center stage in front of them, a host of faculty and students from the Jacobs School of Music gave generously of their talents Tuesday evening.

They had volunteered to help realize a project dreamed up by their colleague and teacher, Steve Houghton: a “Holiday Celebration” to be given live and to be recorded. The just-issued recording, called “Holiday Celebration: A Jazzy Collection of Seasonal Favorites,” holds 15 items and clocks in at just under 50 minutes. The live event, which attracted a full house to the MAC, contained 22 numbers and — with introductions and set-up shifts and intermission — ballooned the length to 135.

But who could complain when that time span contained such festive and spiritedly performed goodies? Instead of complaints, there were multiple cheers-and-hollers-filled ovations that included a standing one at the end. Houghton’s idea was a tremendous success and, reportedly, the start of a tradition, an annual gift of music to the community during the holiday season.

Houghton was at stage center, serving as genial master of ceremonies while also actively engaging as percussionist during much of the show. He had asked for and received what he called a “studio orchestra” of more than 60 musicians. He had asked for and gained the assistance of David Effron as conductor. He had requested additional ensembles and soloists, including four stars of the vocal faculty, and they had all said “yes.” And, as musical director of this big time shindig, he had made sure that most everything would work out splendidly, which it did.

Effron contributed his zest while conducting the orchestra in medleys such as “The Bells of Christmas” and in arrangements of “The Twelve Days of Christmas” and “O Holy Night.” An audio issue did occur when, during builds and climaxes, the amplified strings were joined by amplified percussions, winds and brasses. The strings had no chance. They were quite often drowned out. In a studio situation, controls can balance out such problems. In live performance, that becomes more difficult.

However, when those percussion/winds/brass players took off on their own, in spacious arrangements of “We Three Kings” and “Jingle Bells” and “My Favorite Things,” they produced wondrous and mighty decibels. These performances were enriched also by breathtaking solos, most notably from saxophonist Tom Walsh and trumpeters Joey Tartell and Pat Harbison. And one cannot forget the presence of Luke Gillespie at the piano; he’s in a jazz keyboard class all by himself.

Dan Perantoni and his tuba precariously “Ding Dong (ed) Merrily on High” as part of a Faculty Brass Quintet. The Latin Jazz Ensemble provided a feast of rhythms in “Havana Holly Jolly,” a Latinized arrangement of “A Holly, Jolly Christmas.”

There were ears-calming interludes: harpists Maggie Grove and Abigail St. Pierre in the English folk song, “Greensleeves;” guitarist Jonathan Godfrey strumming a Catalan folk song, “El Noi De La Mare,” and former Jacobs School Dean Charles Webb in a fleet-fingered “Silver Bells” on the piano. Webb was then joined by current Dean Gwyn Richards for a duo-piano performance of “Sleigh Ride.”

And, yes, there were those vocal soloists. For this listener, they provided among the greatest pleasures.

Soprano Sylvia McNair, so precise of diction and so on target when singing the standards, asked alluringly, “What Are You Doing New Year’s Eve” (a la the Frank Loesser song), with a jazz trio (Houghton, Gillespie and bass Jeremy Allen) backing her. She was joined by tenor Brian Horne in the delightful Loesser duo, “Baby It’s Cold Outside.” Soprano Heidi Grant Murphy, with husband Kevin Murphy at the piano, added beautifully nuanced interpretations of the “Shepherd’s Pipe Carol” and “Mary’s Lullaby,” both by the contemporary British composer John Rutter. Mezzo Marietta Simpson put her indelible imprint on Mel Torme’s “Christmas Song,” and — with the fascinating guitar collaboration of Tyron Cooper — a heartfelt “Silent Night.”

Quite a celebration, almost all-encompassing, with one element missing: some choral music. Next time?

Copyright: HeraldTimesOnline.com 2011

‘Harp Dreams’ tells of musicians’ calling

‘Harp Dreams’ tells of musicians’ calling

By Jan Johnston

Sunday, November 27, 2011

click here to read original article

‘Harp Dreams: Inside the USA International Harp Competition,” narrated by Blythe Danner, offers an inside look into the little known but fascinating world of harp competition.

Every three years Bloomington, Ind., hosts the prestigious USA International Harp Competition. Held at Indiana University’s Jacobs School of Music, harpists from all over the world compete for the coveted first prize which includes a hand-made Lyon and Healy concert harp worth $55,000, recitals in New York and London and a recording contract.

What I find interesting in this documentary are the harpists’ personal stories. Learning to play the harp takes commitment. It’s physically demanding and requires a mental discipline that is not easy for young musicians. So, why do it? Answers vary among competitors, but what struck me is that almost all of them describe playing the harp as a calling. To become a professional harpist is clearly not an easy path. As one competitor puts it, playing the harp at this level can be compared to competing in the Olympics. Harpists, like athletes, must be in good shape. And practicing to be the best — in music or sports — requires great self-control.

If you enjoy watching people doing their very best, and especially if you enjoy music, check out this incredible DVD. I think you’ll agree with me when I say harpists rock.

Jan Johnston is the Collection Development Coordinator for the Fort Vancouver Regional Library District. Email her at readingforfun@fvrl.org. She blogs at youbetterreadnow.blogspot.com.